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・ Pierre-Yves Maillard
・ Pierre-Yves Melançon
・ Pierre-Yves Monette
・ Pierre-Yves Montagnat
・ Pierre-Yves Ngawa
・ Pierre-Yves Oudeyer
・ Pierre-Yves Pelletier
・ Pierre-Yves Plat
・ Pierre-Yves Polomat
・ Pierre-Yves Roussel
・ Pierre-Yves Trémois
・ Pierre-Yvon Lenoir
・ Pierre-Édouard Bellemare
・ Pierre-Édouard Lémontey
・ Pierre-Émile Côté
Pierre-Émile Engel
・ Pierre-Émile Gounelle
・ Pierre-Émile Launois
・ Pierre-Émile Martin
・ Pierre-Étienne Flandin
・ Pierre-Étienne Fortin
・ Pierre-Étienne Laporte
・ Pierre-Étienne Lemaire
・ Pierre-Étienne Monnot
・ Pierre-Étienne Pollez
・ Pierre-Évariste Leblanc
・ Pierreclanis
・ Pierreclos
・ Pierrecourt
・ Pierrecourt, Haute-Saône


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Pierre-Émile Engel : ウィキペディア英語版
Pierre-Émile Engel

Pierre-Émile Engel (February 15, 1847 – 1927) was a French operatic tenor active on the stages of Brussels, Paris, Monte-Carlo and other European cities where he sang leading roles in several world premieres.
==Life and career==
Engel was born in Paris and studied for four years with Gilbert Duprez. He made his debut in 1863 at the age of 16 in Duprez's ''Jeanne d'Arc''. Early in his career sang at the Théâtre des Fantaisies-Parisiennes in Paris, where in 1867 he created the title role in Jules-Laurent Duprato's ''Le chanteur florentin''. He made his debut at the Opéra-Comique in 1877 and the following year there created the role of Fernande in Pierre-Louis Deffès's ''Les noces de Fernande''. In 1879, he left the Opéra-Comique and sang in other European countries. From 1885 to 1889 he was a leading tenor with Le Théâtre Royal de la Monnaie in Brussels, singing in the world premieres of Litolff's, ''Les templiers'' (1886), Chabrier's ''Gwendoline'' (1886), Godard's ''Jocelyn'' (1888), and Mathieu's ''Richilde'' (1888).
His elder son José (born 13 August 1873) was a painter, who left portraits and caricatures of Chabrier;〔Chabrier E, ''Correspondance''. Ed Delage R, Durif F. Klincksieck, 1994. 86-44n.〕 after ''Gwendoline'' the families become close, corresponding and visiting each other. Chabrier dedicated his ''Chanson de Jeanne'' to Engel.〔Chabrier E, ''Correspondance''. Ed Delage R, Durif F. Klincksieck, 1994. 86-12n; 87-1n (letter from Émile Engel to Chabrier).〕
In his later years Engel taught singing and remained in demand as a recitalist. His most famous pupil was Jane Bathori, whom he later married. The couple often sang together in recitals of art song by contemporary French composers. Ravel's "Le martin-pêcheur" ("The kingfisher") from his song cycle ''Histoires naturelles '' is dedicated to Engel as is Satie's "Daphénéo". Engel became a Professor at the Paris Conservatory in 1907 and taught there until World War I. Amongst his other pupils were Louis Cazette, Louis Guénot, Françoise Rosay, and the Canadian tenor Rodolphe Plamondon. Pierre-Émile Engel died in Paris in 1927 at the age of 80.

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